Rising Florida rapper Rell2x links with emerging star Chill Jay for a vibrant R&B track called “BNB.” The new track marks Rell2x first of the year. He announced his return while promoting the track on social media last week. “I’m back,” he captioned the post. The latest track serves as a follow-up to his buzzing project, Rookie of the Year, released in 2024.

After an exciting year, Rell2x’s return makes a great origin point for newfound fans of the rising star as he prepares for a big year in music.

Check out the new track below. You may follow Rell2x on social media.

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In a press statement to Medium Creative Agency, the artist formerly known as AYO reveals:

“There have been several moments throughout history we have been so close to annihilating ourselves and yet each time we’ve survived. We as humanity are the hope that remains through every tumultuous time, through every “big bang” in human history, if not us, then who?

We are a source of our own shame while being a source of our own hope and the duality of our experience and choices is what makes us as humans beautifully broken. Hopefully, we’ll survive the next one.”

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The emotionally charged track that explores love, loss, and the evolution of relationships. With a mix of raw vulnerability and street bravado, the song captures the complexities of drifting apart from someone you once cared deeply for. The RVA representative reflects on past loyalty, changed dynamics, and the struggle of balancing love with a fast-paced lifestyle.

Speaking to Medium Creative Agency about the song’s significance in a press statement the VSU attendee reveals: “I’m basically telling shorty with her every moment feels like home. No matter what, I’ll always come through.”

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Globally the song also continues to pick up steam as it was the #1 most played track this week across both Planet Rock & Kerrang Radio in the UK. The radio trajectory of the song and their second single “Three Six Five” is nothing but meteoric.

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His smooth vocals, hypnotic melodies, and emotionally charged lyrics make “Stop Wasting Time” a must-listen for R&B lovers. With each release, Medium proves he’s an artist to watch—effortlessly bridging the past and present of the genre.

Press play below and leave a comment.

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Muni Long warns, “This song may lead to unforgettable nights. Listen accordingly.”

Press play on the new single below.

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Reggae and dancehall powerhouses I-Octane and Shane O join forces on Opportunist, a bold anthem about self-preservation and cutting ties with those who drain energy. The track speaks to resilience in the face of adversity, setting the stage for I-Octane’s upcoming album, God & I, which marks his long-awaited return to his soulful reggae roots. With its rich melodies and compelling message, Opportunist is primed for radio airwaves, DJ sets, and curated playlists.

Adding a unique touch to the production, the track is crafted by I-Octane’s five-year-old daughter, Nahbi Reign. Already showing remarkable talent, she leads the charge under her own label, NiNi Records. Her fresh perspective brings an authentic and deeply personal feel to the song, making it more than just music—it’s a statement. The track’s impact is amplified by a stunning music video directed by Bling Blang, one of the most sought-after filmmakers in the industry. Known for her ability to weave emotionally charged narratives, she elevates the song’s message with striking visuals that complement its powerful lyrics.

With God & I, I-Octane reconnects with the sound that first defined him. After five years immersed in dancehall and his “Hot Ras” persona, he returns to reggae with a renewed sense of purpose. This deeply personal 15-track album, managed by Wendy Morgan of Beautiful People Management and distributed by MusicXchange, blends introspection with resilience. Fans can expect the raw, heartfelt storytelling they have been craving as I-Octane delivers a project that embodies growth, struggle, and triumph.

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After heating fans up with “HIM,” Bay Area native Miles Minnick (X/IG) links up with San Diego’s Jon Keith (X/IG) for “LOOK“. Produced by Jon and Enzo Gran, the song showcases the divine duo’s signature sound; blending melody and energy effortlessly. The smooth rap song that reflects on the many ways God blesses those He loves. With hard 808s and an addictive hook, the track is sure to have listeners singing and dancing along with every listen. This collaboration offers the latest glimpse into what fans can expect from their forthcoming WEST INDIES project.

Miles Minnick shares his excitement for the release, saying, “‘LOOK’ is definitely one of our favorites from the album. It has the stank face, feel-good type of vibe while still giving you substance and meaning. ‘LOOK’ is the perfect way to bring in the West Coast vibe to Super Bowl season.”

Jon Keith adds, “I want ‘LOOK’ to help people dwell on the goodness of God and the way that He’s kept His promises throughout all time. I also want people to have as much fun as Miles and I had while making it.”

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The song is a testament to Rema’s versatility and continuous ability to create earworms that blend genres and references across music. It’s a first taste of what fans can expect from Rema this year following the hugely successful and critically acclaimed release, HEIS, of last year, for which he received his first ever GRAMMY nomination for.

Official Website: https://heisrema.com/

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After dropping collaborations with fellow DMV rap representers KP Skywalka and Big Flock, Krown Vic swerves into the new year with the DJ Schemes produced single “Lane Shift” (via The Firm Records / United Masters). The futuristic cut finds the VA native delivering his signature braggadocious bars over the 93.9 WKYS on air personality’s hand picked instrumentation, making for a trippy track with a mind of its own.

The Virginia-raised rapper blends Hip-Hop beats and witty wordplay with a unique Trap-Punk twist. His lyrics offer a streetwise perspective while serving as a cautionary tale to youth about the consequences of wrong decisions. As an adolescent, he admired and was influenced by iconic entertainers like Eminem and Michael Jackson.

Vic has toured the West Coast and Florida with notable artists such as Lil Pump, D Savage, and Joey Fatts. He regularly performs at prominent Washington D.C. venues including Eden, Griffin, and Rose Bar, and has shared the stage with Billboard chart-topping artists like Gucci Mane, 21 Savage, Lil Uzi Vert, and DRAM.

“Schemes is the DJ that really put me on. After supporting him by showing up to his events, he reciprocated by playing my records and we began to build a brotherly bond.

One night we were at my engineer Kidd Slopes studio and Schemes began running through some beats he produced. The chemistry was almost instantaneous. We ended up making an album worth of records over the next couple weeks.

Lane shift stood out because it allowed me to jump in a different bag sonically while staying true to my street conscious roots,” says Krown Vic

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Over hard-hitting production, Gsambo delivers gritty verses that reflect his journey from humble beginnings to hustling success. The single captures the RVA representer’s ability to navigate the fast-paced grind while carrying the weight of lived experience.

With vivid imagery of stacking racks, luxury scents like Baccarat, and street-savvy maneuvers, Gsambo paints a picture of relentless ambition. The lyrics highlight his entrepreneurial mindset—from working two phones to keeping his circle solid with longtime friends like Ray Ray. The track’s energetic delivery and infectious hook make it a cohesive cut designed to resonate with hustlers and go-getters alike.

In a exclusive press statement to Medium Creative Agency about the new set of sonics Gsambo reveals:

“Old Soul isn’t just a flex—it’s a testament to resilience, loyalty, and the hunger to rise above circumstances.”

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Listen to Lebra Jolie’s “Turn Me Up.”

Follow Lebra:

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https://www.x.com/ItsLebraJolie

  / lebrajolie  

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New music “Ankles” out now from Lucy Dacus.

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NJ rock outfit Cut The Kids In Half are excited to announce their debut album, What We Became, arriving later this month on January 31. Heralding the announcement is the album’s emotional first single “Song of Two Humans,” which tackles a tumultuous relationship with brightly toned guitars and wandering lyricism.

CONNECT WITH CUT THE KIDS IN HALF:

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With raw energy and authenticity, JaMoe shares a personal narrative of perseverance, growth, and self-belief. The song celebrates the hustle it takes to outlast the competition while highlighting the importance of staying sharp and resourceful. More than just a testament to individual success, Englewood Baby speaks to the collective spirit of a community striving for better opportunities.

JaMoe also weaves in themes of empowerment through entrepreneurship, particularly within the cannabis industry, portraying it as a means of creating connections and building a brighter future. By sharing his journey, he aims to inspire others to harness their strengths and find ways to uplift themselves and those around them.

Englewood Baby is more than music; it’s a rallying cry for resilience, unity, and ambition. Through this track, JaMoe cements his role not just as an artist, but as a voice for his community—a storyteller shedding light on the power of determination and the pursuit of a better tomorrow. Check out the new visual below and follow the rising star on social media.

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Lucien Li’s latest single, Abyss (Feat. Lzery), reflects his growing presence as a guitarist exploring new ground in both Rock and Hip-Hop music. Li’s reputation as a skilled guitarist has been shaped by notable achievements, including winning first place in the Ibanez Guitar Competition, earning runner-up in the Vola Guitar Competition, and receiving the Fantastic Technique Special Prize for his performance in the UK International Music Competition. Combining precision with emotion, the track brings Li’s signature hybrid-picking style to life alongside Lzery’s dreamy, psychedelic tones, resulting in a dynamic interplay that captivates listeners. While Li’s technical ability has been a defining feature of his work, Abyss takes things a step further, exploring how traditional and contemporary elements can come together in a balanced way.

In the context of today’s music industry, purely guitar-driven music might not hold the mainstream appeal it once did. In an era where musical tastes often favor diverse and multi-layered arrangements, Abyss may not immediately resonate with every listener. Additionally, the contiguous presence of guitar sounds throughout the track could risk feeling repetitive or redundant to some listeners. While the intricate guitar work displays technical prowess, it may overshadow other elements of the composition, potentially creating a lack of dynamic variation that could leave parts of the track feeling monotonous. This heavy reliance on the guitar might not appeal to audiences who favor more variation or a broader mix of instruments.

However, it is precisely this heavy focus on guitar that sets the track apart. By merging the distinct textures of progressive rock and Hip-Hop music, Li refreshes both genres. This collaboration demonstrates how the electric guitar can carve out its role in Hip-Hop music, bringing fresh insights to both guitarists and producers. For guitarists, it’s an inspiring exploration of how their craft can expand into electronic territory; for electronic musicians, it’s an invitation to incorporate the raw, emotive power of the guitar into their soundscapes.

The production of Abyss is noteworthy. Wenhao Su’s mastering ensures every element of the track is presented with clarity and impact. Each riff, slide, and 808 bass’ rhythmic pattern feels alive, with the arrangement striking a balance between complexity and accessibility. The interplay between Li and Lzery creates tension and release, while a clean guitar interlude injects a sense of contrast, adding to the track’s emotional flow.

Having said that, the production still has room for improvement. The mix leans heavily toward the guitar, which already dominates the track as a defining element. While there are many impressive hip-hop elements in this song, such as the 808 drums’ slides and typical trap rhythms, including the use of triplets, the production could better reflect its hip-hop foundation. Aligning the mix more closely with mainstream hip-hop mixing and mastering conventions would bring greater diversity to the track and make it more appealing to a broader, more mainstream audience.

Despite this, Abyss successfully bridges distinct musical influences, blending the power of rock guitar with the refined production of Hip-Hop music. It demonstrates how the electric guitar can find a place in modern compositions, particularly within hip-hop-inspired contexts. This fusion of styles presents opportunities for both guitarists and electronic musicians, encouraging innovation and collaboration across genres.

With Abyss, Lucien Li continues to build his reputation as a skilled and forward-thinking artist. While guitar-focused music may not always align with current mainstream trends, Li’s approach offers a fresh perspective on how traditional instrumentation can be reimagined in Hip-Hop music. Abyss is available now on all major streaming platforms—dive in and experience this unique fusion of styles.

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Single from Yung Filly “Tempted.”

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Chase Atlantic single RICOCHET from their album “Lost in Heaven.”

Stay connected with Chase Atlantic

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